{"title":"Books","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEvery book in this collection began outside on Dartmoor. The writing, the inks draw inspiration from bogs, hedgerows, and incredible vistas of the Dartmoor landscape.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSome of the books are practical: field notes on foraging for colour, making botanical ink, making botanical pigments from wild plants. Others are essays: short meditations on what this place holds, and prompts to help you get outside.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThese are books about Dartmoor's wild colour, its pollen record, its long seasonal rhythms. Made for artists working with natural materials, for people who love this landscape and want to carry something of it home, and for anyone curious about how place becomes pigment, and pigment becomes print.\u003c\/p\u003e","products":[{"product_id":"notes-on-dartmoors-wild-colour-a-short-printed-essay","title":"Notes on Dartmoor's Wild Colour - a short essay","description":"\u003cp\u003e\u003cem\u003eAs I write these words, the mist hangs heavily outside our Princetown home. There is barely a breeze, and the birds are calling through the soft grey. These are my favourite days on Dartmoor, where I am hugged by nature and safely held by clouds. Soon, I’ll go out for a walk along a route I follow dailyish. We’ve had several weeks without rain on the moor, but the weather has changed and last night’s rain will now be seeping through the high moor, creating rivulets, widening waterways, and perhaps spilling over in various places to form transient waterfalls. Although I’ll take my map and compass, the route is one I can follow without aid, never too far from a feature that is easy to follow when visibility is reduced. Down a track, along a man-made water channel known as a leat, through old tin workings to an abandoned farm, down a tributary, up a hill alongside a wall, back along the leat, and to the road where our workshop is. A round trip of about seven miles. Further if I get distracted.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the introduction to \u003cem\u003eWild Colour\u003c\/em\u003e. The essay is approximately 5000 words, and is printed on a home laser printer. The cover is letterpress printed in our workshop with metal and wood type. The papers for the book are all British, recycled paper.\u003c\/p\u003e\n\u003cp\u003eThis listing is for the print copy of the essay. The text of this essay is also available as a free download to subscribers of our mailing list. There should be a subscription form on the bottom of this page if you'd like to preview the text.\u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":54296192450945,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/books.jpg?v=1747229582"},{"product_id":"100-days-outside-volume-1","title":"100 Days Outside - Volume 1","description":"\u003cp\u003eWe are producing a print edition of the 100 Days Outside. This letterpress printed book will include all 50 prompts from the first edition of the 100 Days Outside. The book will be available \u003cstrong\u003elate October 2026\u003c\/strong\u003e -- just in time for the holiday season.\u003c\/p\u003e\n\u003cp\u003eOnly 100 copies will be printed. If all sell out during the pre-order phase, we will \u003cem\u003enot\u003c\/em\u003e extend the print run.\u003c\/p\u003e\n\u003cp\u003eThe cover will be revealed later in the year.\u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":55280078979457,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/A9B96D1B-1B67-439E-B74F-DA20E54994AF_1_105_c.jpg?v=1763994044"},{"product_id":"on-the-record-a-short-essay-on-the-pollen-record-of-dartmoor","title":"On the record - A short essay on the pollen record of Dartmoor","description":"\u003cp\u003eIt's remarkable when science works, it's even more remarkable when the findings are reported in an accessible way. Too often, reports are hidden behind paywalls, and it becomes difficult to know that research has even happened. This leads to out-of-date findings getting more airtime than the newer and up-to-date research. The old findings become folklore, impossible to modernise.\u003c\/p\u003e\n\u003cp\u003eAfter reading a few popular science (or \"pop-sci\") pieces on the Forest of Dartmoor, I started to think the history presented was a little too convenient. I became curious and started to dig. Since the oft-quoted report from Ian Simmons in 1964, there are several generations of newer research which describe, with more nuance, the history of trees on Dartmoor. What I found was interesting \u003cem\u003ebecause \u003c\/em\u003eof its complexity, but it certainly wasn't \u003cem\u003econvenient\u003c\/em\u003e or \u003cem\u003eeasy\u003c\/em\u003e for storytelling.\u003c\/p\u003e\n\u003cp\u003eIn this short essay, I talk about my experience with palaeoenvironmental reconstruction in the 1990s, give a brief explanation of how this process works, then I provide the highlights of the history of trees on Dartmoor -- and some of the inconsistencies that make Dartmoor incredibly interesting.\u003c\/p\u003e\n\u003cp\u003eThe essay is not a formal, scientific summary of the research conducted here. Rather, it's meant to tickle your curiosity, and nudge you into doing more research, not just about the pollen record on Dartmoor, but other topics you might have felt were too \"convenient\" to be true.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandset, letterpress printed chapbook. Handbound with a pamphlet stitch.\u003c\/li\u003e\n\u003cli\u003eLimited to 100 copies.\u003c\/li\u003e\n\u003cli\u003eApproximately 2300 words, and including a bibliography.\u003c\/li\u003e\n\u003cli\u003ePrinted on British papers: Five Seasons 90gsm paper (internal). Cover is vintage Barcham Green watercolour paper, hand-dyed with willow ink, foraged on Dartmoor.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou will receive \u003cem\u003eone\u003c\/em\u003e copy of the book.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWho's it for?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDartmoor history buffs, interested in anything written about Dartmoor and with a very large book collection on the topic.\u003c\/li\u003e\n\u003cli\u003eBibliophiles who appreciate handmade things on niche topics.\u003c\/li\u003e\n\u003cli\u003ePeople who distrust tidy narratives generally, and perhaps more specifically people already sceptical of rewilding rhetoric. If you've raised an eyebrow at The Wildwood of Britain narrative, this book is for you.\u003c\/li\u003e\n\u003cli\u003eWalkers and naturalists with an intellectual bent. If you want to know more about the story that's held in the ground you walk on, again, this book is for you.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor those who are interested in the \"making of\", there is a series of blog posts available from our newsletter. You can \u003ca href=\"https:\/\/princetownpress.kit.com\/\"\u003eread them here\u003c\/a\u003e.\u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":55435819876737,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/ontherecord-square.jpg?v=1779261337"},{"product_id":"printed-notes-on-foraging-for-colour-volume-1","title":"Printed Notes On: Foraging for Colour — Volume 1","description":"\u003cp\u003eWhere does colour come from? 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Oak gall ink, which is the same type used to write the Magna Carta and pen Jane Austen's novels, can be made at home, from materials you've gathered yourself, with nothing more than a saucepan and a handful of kitchen ingredients.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePrinted Notes On: Making Botanical Ink\u003c\/em\u003e is a full colour, 32-page printed booklet by Emma Hogbin of Princetown Press, made in Devon on recycled paper. It takes you step by step through the process of turning foraged and kitchen plant matter into richly coloured, chemically reactive botanical inks.\u003c\/p\u003e\n\u003cp\u003eCovering the three core stages of ink-making from collecting plant matter, creating plant liquor, to adding a binder: this booklet goes deep into the details that make the difference: how water pH affects your colours, how to test saturation with paper strips, how to work with gum Arabic (including how to make your own), and how to get the most from each batch. 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